Janie, the protagonist of Zora Neale Hurston’s novel Their Eyes Were Watching God, is often identified as a feminist character. While she is certainly an independent woman who believes in the equality of the sexes, Janie does not lead a typically feminist existence throughout the novel.
Hurston achieved critical and popular success with her novels Jonah’s Gourd (1934), Their Eyes Were Watching God(1937), and Moses, Man of the Mountain (1939). She also wrote a prizewinning autobiography, Dust Tracks on a Road (1942), as well as short stories and plays.
Their eyes were watching god essay, reflects on the plot, themes, symbols, motifs and overall structure in Zora Neale Hurston's book. It is a story about a middle-aged black woman who was not only beautiful but confident in her own right.
Their Eyes Were Watching God is Zora Neale Hurston's best known work. Otis Ferguson didn't think it was so great.
In “Their Eyes Were Watching God”, Hurston celebrates Janie as an artist that enriches Eatonville and details her self-discovery. Without delay, on first page of the book, Hurston substantiates the contrast between men and women by initiating Janie’s quest to reach fruition of her own dreams and presaging the female quest theme throughout the remainder of the novel.
FreeBookSummary.com. In this love story written by Zora Neale Hurston, we find out that the main character, Janie saw her life as a great tree filled with many trials and tribulations. “Their eyes were watching God” was written from a woman’s point of view to tell the story of a woman desperately searching for true love and fulfilment.
CRITICAL ESSAY: THEIR EYES WERE WATCHING GOD It all begins with parents. However, although genetics play a key role in what kindof person one becomes, environment is the other major factor that influences a personsdevelopment. The people a person meets and the experiences one has are very importantelements affecting development.
Awkward, Michael, ed. New Essays on Their Eyes Were Watching God.New York: Cambridge University Press, 1991. A scholarly look at the novel, tracing its history from publication in the 1930s, to the critical disdain in the 1960s, to its eventual re-emergence as an acclaimed work in the 1980s and 90s.